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Now you can see complete beskrivelse af Deep Blue Sea nedenfor:
- Original titel : Deep Blue Sea
- Film titel : Deep Blue Sea
- År for film : 1999
- Genrer af film : Action, Sci-fi, Thriller,
- Status for film : Released
- Udgivelsesdato for film : 1999-07-28
- Virksomheder af film : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
- Landene i film : Australia, United States of America,
- Sprog af film : English,
- Varighed film : 120 Min
- Gennemsnitlig stemme af film : 5.6
- Youtube ID film : gpdab_bi2HY
- Oversættelse af film : BG,CA,CS,DA,DE,EL,EN,ES,ES,FR,HE,HU,IT,JA,KO,NL,PL,PT,PT,RO,RU,SV,TR,UK,ZH,ZH,
- Cast af film :Saffron Burrows (Dr. Susan McCallister), Brent Roam (Helicopter Winch Operator), Tajsha Thomas (Friend of Janice), Cristos (Boat Captain), Sabrina Geerinckx (Girl #2), Dan Thiel (Boy #2), Eyal Podell (Boy #1), Samuel L. Jackson (Russell Franklin), Frank Welker (Parrot Noises (voice)), Jacqueline McKenzie (Janice Higgins), Michael Rapaport (Tom "Scoggs" Scoggins), LL Cool J (Sherman 'Preacher' Dudley), Erinn Bartlett (Girl #1), Stellan Skarsgård (Jim Whitlock), Valente Rodriguez (Helicopter Co-Pilot), Daniel Rey (Helicopter Pilot), Thomas Jane (Carter Blake), Aida Turturro (Brenda Kerns)
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Deep Blue Sea the correct film excreted by Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership, which features a beskrivelse af filmen er "En gruppe videnskabsmænd i undervandslaboratoriet Aquatica har gennem længere tid manipuleret med 3 hajers hjerner, for at udvikle et middel mod Alzheimers syge. Da de har arbejdet under tidspres og på et stramt budget, er det ikke lykkedes dem at modvirke en uønsket bivirkning; Hajerne er blevet intelligente. Pludselig står videnskabsmændende overfor at skulle ende som hajføde...". Filmen er produceret med fremragende grafisk kvalitet, bedste ear busting sound quality and best bedste skuespillere.
To look at første learn about denne film er jeg ikke helt sikker in the event i the type of idé or no. Efter at have set det There are to convey in which i really appreciate. I definitely recommend denne film for people who love the genre Action, Sci-fi, Thriller, . Count on ur det without cost just klikke submit og tilmeld, you'll be able to ur variant nyeste filmtitler free of charge.
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Stunts : Lesley Aletter, Assistant Costume Designer : Karla Stevens Flanigan, Foley : Catherine Harper, Additional Music : Michael Jay, Production Sound Mixer : Tim Cooney, Director : Renny Harlin, Production Manager : Anthony Franco, Visual Effects Coordinator : Jack Geist, Lighting Technician : Bruce Sharp, Aerial Coordinator : David Paris, Supervising Art Director : Mark W. Mansbridge, Production Design : Joseph Bennett, Driver : Rick Kelleher, CG Supervisor : Douglas R. MacMillan, Unit Publicist : Peter J. Silbermann, Set Costumer : Carrie Bauer, Production Office Coordinator : Francis Meade Warner, Producer : Don MacBain, Music Editor : Dick Bernstein, Costume Design : Mark Bridges, Special Effects Supervisor : John Richardson, Sound Recordist : Rick Hromadka, Visual Effects Supervisor : Jerry Pooler, Assistant Art Director : Nick Navarro, Stunt Coordinator : R.A. Rondell, Executive Producer : Jonathan Schwartz, Casting Associate : Cassandra Kulukundis, Visual Effects Editor : Steve Shaw, Animation : Julie Nelson, Supervising Sound Editor : Robb Wilson, Leadman : Russell R. Anderson, Supervising Sound Editor : J. Paul Huntsman, Animation Supervisor : Ken Stranahan, Set Designer : Bill Taliaferro, Steadicam Operator : Mark Emery Moore, CGI Supervisor : Serge Sretschinsky, Storyboard : Gary Damian Thomas, Visual Effects Supervisor : Craig A. Mumma, Casting : Christine Sheaks, Camera Operator : Gregory J. Schmidt, Visual Effects Producer : Kristen Branan, Visual Effects : Joshua I. Kolden, Sound Effects Editor : Adam Johnston, Gaffer : Mick Morris, Art Direction : Héctor Romero, Rigging Grip : Jonas Juhanson, Music Editor : Will Kaplan, Art Direction : Andrew Rothschild, Camera Operator : Phil Pastuhov, Set Production Assistant : Jose Jimenez, Executive Producer : Bruce Berman, Production Illustrator : Harald Belker, Boom Operator : Todd Bassman, Editor : Derek Brechin, Assistant Sound Editor : Catherine Calleson, Property Master : Jerry Moss, Dialogue Editor : John F. Reynolds, Set Designer : Javier Nava, Production Supervisor : Anna Roth, Visual Effects Editor : Scott Balcerek, Sound Re-Recording Mixer : John T. Reitz, Construction Foreman : William Apperson, Unit Manager : Rafael Cuervo, CG Supervisor : John E. Sasaki, Set Decoration : Debra Echard, Associate Producer : Patrick Lynn, Standby Painter : Anthony Gaudio, Sculptor : Jim McPherson, Key Hair Stylist : Peter Tothpal, Producer : Akiva Goldsman, Screenplay : Duncan Kennedy, Screenplay : Donna Powers, Art Department Coordinator : Beth Bajuk, Color Timer : Dale E. Grahn, Transportation Coordinator : Russell McEntyre, Still Photographer : Merie Weismiller Wallace, Animation : Constance Bracewell, Utility Stunts : Joey Box, Makeup Department Head : Jeff Dawn, Editor : Dallas Puett, Visual Effects Supervisor : Jeffrey A. Okun, Unit Production Manager : Todd Arnow, Dialogue Editor : Patrick J. Foley, Production Office Assistant : Jason D. McGatlin, Sound Effects Editor : Jayme S. Parker, Additional Camera : Frederick Iannone, Set Medic : Sarah Catizone, Visual Effects Editor : Lincoln Kupchak, Underwater Camera : Pete Romano, Editor : Frank J. Urioste, Special Effects Coordinator : Sergio Jara, Makeup Artist : Allan A. Apone, ADR & Dubbing : Hugh Waddell, Additional Editing : Kevin Stitt, Visual Effects Supervisor : Rebecca Marie, Screenplay : Wayne Powers, Visual Effects Editor : Kevin Clark, Camera Operator : Leo J. Napolitano, Rigging Gaffer : Ismael 'Izzy' Gonzalez, Sound Effects Editor : Andrew Somers, Assistant Art Director : Ligia Ornelas, Prosthetic Makeup Artist : Chad Atkinson, Animation : Bruce Pearson, Script Supervisor : Kelly Moon, Executive In Charge Of Production : Mark Scoon, Visual Effects Producer : Scott Dougherty, Post Production Supervisor : Ilyse A. Reutlinger, Electrician : Matt Buchan, Producer : Alan Riche, Set Dressing Artist : Chris Adams, Second Unit Cinematographer : Gary Capo, Script Supervisor : Portia Tickell, Construction Coordinator : Gary Deaton, First Assistant Camera : Frank Flick, Executive Producer : Duncan Henderson, Assistant Director : Thomas J. Mack, Projection : Tom Ajar, Associate Producer : Thomas J. Mack, Visual Effects Supervisor : William Mesa, Visual Effects Producer : Thomas Boland, Property Master : Eric J. Bates, Orchestrator : Tom Calderaro, Costume Supervisor : James W. Tyson, Hairstylist : Robert L. Stevenson, Production Design : William Sandell, Director of Photography : Stephen F. Windon, Digital Compositors : John Rauh, Production Accountant : Armando Amador, Original Music Composer : Trevor Rabin, Supervising Art Director : Bruce Crone, Camera Operator : Marc Spicer, Digital Effects Supervisor : Simon Giles, Best Boy Electric : R. Gern Trowbridge, Grip : Gustavo Covarrubias, Transportation Captain : Hugo Chew, Visual Effects Editor : Mark Eggenweiler, Assistant Art Director : Jonathan McKinstry, Producer : Tony Ludwig, Location Manager : Michael John Meehan, Co-Producer : Rebecca Spikings, Assistant Art Director : David Sandefur, Foley : Kevin Bartnof, Video Assist Operator : Jeff Burrage, Camera Operator : Guillermo Rosas, Set Designer : Karl J. Martin, Visual Effects Supervisor : Jamie Dixon, Visual Effects Producer : Heather Smith, Mechanical Designer : Larry Cheng
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